Sunday, July 26, 2015

Group theory, Vāstu, and car trouble

Let me get out the bad news first. This has been a pretty rough week in terms of my transportation. I got into my car to go to lunch last Saturday, the 18th, and went to start it like any other morning. And nothing—a totally dead battery. I was able to get a jump from a friend and get my car into town to buy a new battery, but at the auto parts store, the tests showed that the battery still had life. Weird! So I leave the store planning to stop by my mechanic to sort things out when, on the way there, my car stalls in the middle of Burlington Avenue and won't start again. Not good.

Long story short, I needed to replace both the battery and the alternator, which lead to me having no transportation to and from Jon's office for this past week. While this was a bummer both financially and experientially, it gave me an opportunity to focus more on trying to understand some of a book that Cathy Gorini, Dean of Faculty at Maharishi University of Management, gave me. It is written by a man named Roger Auder, a mathematician residing in Europe, and it relates very beautifully the principles of Vāstu to Group theory.

Below are some excerpts from that book.

Cover of Roger Auder's book, "Principles of Vāstu Planning in the light of Group theory"

A great introduction outlining the motivations for studying the connections between
Group theory and Ayadi, the system of measurement used in Sthāpatya Veda

Some basics of Group theory outlining symmetries of a square

A beautiful connection between symmetry and order in nature

Four basic axioms that comprise a group: Closure, Associativity, Identity and Inverse Elements

Outline of the ideal Vāstu Purusha Mandala

Obviously, this is a very simple introduction to the book itself, and I definitely needed to dust off my Abstract Algebra skills, but I'm looking forward to continuing to understand and digest the entirety of this publication throughout the remainder of my studies regarding Vāstu over the coming years.

Friday, July 17, 2015

The role of the architect, and modeling Jon's house (cont'd)

One of the most enjoyable parts of working with Jon is how he exudes compassion for his clients. It's infectious. And I don't necessarily mean in a touchy-feely, super-emotional way—I'm talking about how important each aspect of each task is to him.

Jon received a phone call the other afternoon in which he discussed obtaining a Schedule of Values for a client. It refers to a very safe and practical way for contractors and clients to determine how the contractor gets paid; the architect in this case acts in the best interest of all parties as sort of a mediary, usually protecting the client(s) from contractors possibly swindling money from the project.

From Wikipedia:
"The Schedule of Values is a detailed statement furnished by a construction contractor, builder or others outlining the portions of the contract sum. It allocates values for the various parts of the work and is also used as the basis for submitting and reviewing progress payments. 
As a project begins, the submitter (typically the contractor or construction manager) submits a Schedule of Values based on the original contract amount to the Owner or Owner’s representative (typically a contracted architect) for review. This is reviewed by all parties and approved if it is deemed acceptable. This schedule of values can be amended by change order. 
When using the Schedule of Values (SOV) for pay applications the submitter will typically bill on a percentage basis. That is to say that the amount billed that month is __% of the overall line item. This value is then added to the total amount billed from previous pay requests. This total amount would be the total work completed to date. The balance to finish is then calculated by subtracting the total completed to date from the original line item total. The Architect or Owner’s representative will then review and approve the amount due to the contractor during that pay period."
Jon mentioned both during the call and afterward that as a result of his AIA membership, he has access to pre-written documents that handle things like this. While in most cases protections like these are common, he mentioned of stories where clients ended up thousands of dollars poorer than they should have been still without a completed house.

I suppose I thought of mentioning this in particular to show a realization that is maybe an obvious one, but extremely important nonetheless—that the role of the architect is much more than drawing the designs of buildings. Interacting with clients and contractors alike, assuring that the building process is going according to plan, working and designing within a client's budget... All of these are requirements for someone running the architecture firm as the sole architect oneself. And thankfully, I'm learning from someone who does so with the utmost care and seriousness in Jon.

An update on the model of Jon's house:

I've made some significant progress on modifying the structure as mentioned before.

However, Ron discovered that there was another version of the existing model that took into account other aspects of the design that were not mentioned by Jon initially, such as the differences in the nature of the entrance that includes a significantly more pronounced covering, among other things.

So now I will be modifying this newer existing model in the same way, while also fine-tuning a lot of the details regarding things like the color of the walls, the placement of windows, connecting the roofs of the A section to the B section, and many various things that Jon is mentioning as he looks over my shoulder periodically.

New existing model, still with old B sections needing to be removed

I should also say that these modifications to existing models are naturally a bit more complicated than, say, selecting those old B sections, hitting the delete key, then moving everything over. SketchUp is pretty forgiving, as I said before; however, it's not always that simple. :)

Wednesday, July 15, 2015

Recent historical context, modern architecture, and a few key players in today's architectural landscape

Jon's method of delivering knowledge is very refreshing. I think it's the nature in which this internship is structured—a relaxed, almost informal vibe—that allows for my experiences to have a great deal of wholeness attached to them. At times, I feel like a bug on the wall, just there to observe and take in how things flow through Jon's workplace.

In one of these moments, some not-so-distant historical elements of architecture came up. Jon moved from behind his workstation to sit across from me, and he gave me some great launching points for diving deeper into some well-known architects of the recent past. One in particular, Le Corbusier, "belonged to the first generation of the so-called International school of architecture" (Encyclopædia Britannica) and was extremely influential in shaping the policies and politics of modern architecture through the creation of the Congres Internationaux d'Architecture Moderne, or International Congresses of Modern Architecture. It just so happened that The New York Times was revisiting his work and thoughts as well.


Screen capture of recent NYT article on Le Corbusier
link here


From CIAM's website:
"Founded in 1928, the Congrès Internationaux d’Architecture Moderne (CIAM) quickly came to rank among the leading institutions in international modern architecture of the 20th century. Until 1959 CIAM was organised in a series of eleven working congresses. 
During its existence CIAM knew prominent members like Alvar Aalto, Jacob Bakema, Le Corbusier, Cornelis van Eesteren, Sigfried Giedion, Walter Gropius, Ernst May, Ludwig Mies van der Rohe, Richard Neutra, José Lluis Sert and Mart Stam. 
Conceived by the art historian Sigfried Giedion, the architect Le Corbusier, and the urban planner Cornelis van Eesteren the legendary fourth congress took place on the liner Patris II cruising the Mediterranean Sea. 
The theme of CIAM 4 was ‘The Functional City’. With its universal agenda CIAM 4 represented a climax of architectural modernism. The legacy of this congress can still be felt in our cities today."

Besides history, some discussion of relevant modern architects came up. Among those most notably mentioned were Michael Graves and A. Eugene Kohn of the architectural powerhouse firm Kohn Pedersen Fox.


Screen capture of Michael Grave's website
link here

Screen capture of Kohn Pederson Fox Associates' website
link here


Becoming more familiar with both the recent history of modern architecture and a few of the bigger players within the current architectural world was an interesting eye-opener. It's fascinating to see the personas of these accomplished architects shine through the design of their buildings.

Sunday, July 12, 2015

Google SketchUp, modeling Jon's house, and the Fortune Creating Buildings office environment

A little over a week into my internship, and my main project is slowly but steadily coming along. I am in the process of learning how to use Google SketchUp—a simple and forgiving 3D modeling program. While learning the basics, I am using it to modify an existing, outdated model of Jon's soon-to-be home quite extensively.

From SketchUp's website:
"SketchUp users are architects, designers, builders, makers and engineers. They are the people who shape the physical world. They are important, and they deserve great tools because great tools produce great work.
Great tools are ones you look forward to using. They do one thing (or maybe two) really, really well. They let you do what you want without having to figure out how. They help with hard or boring tasks so that you can focus on being creative, or productive, or both. And they are, in their own way, beautiful.
At SketchUp, we do our best to make great tools for drawing. For our users, drawing is thinking. They draw to explore ideas, to figure things out, to show other people what they mean. They draw because they love it, and because nothing great was ever built that didn't start with a great drawing."

While I had thought I would begin using AutoCAD during this internship, I'm realizing quickly that learning SketchUp first is a much more practical and valuable tool, as it will allow me to more readily create and play with my own larger architectural ideas in the coming year before enrolling in graduate school and getting into the technical nitty-gritty.

What is pictured above is what Jon referred to as an ABCBA structure, where the outer-most wings are A sections, the inner-wings are B sections, and the main center portion of the building is the C section. Made sense. What Jon proposed that was to be changed (which you might be able to deduce from an examination of the construction site pictures from the previous post) was to convert this into an ABA structure by first lengthening the existing A sections to encompass the old B sections, and then widening what was the old C section to become the new B section.

The tricky part of this modification at first was that this model was created using feet as its primary base of measurement. However, the final modifications suggested by Jon were in meters... Luckily he had a nifty calculator that converted between the two.

I'll have some more updates on how the modification goes in the coming weeks.

I wanted also to outline and showcase the environment in which I'm working. Jon's office is located in Fairfield Business Park, which is an exemplary and beautiful manifestation of the power of Vāstu. Jon also has two assistants: Ron, who handles any technical and office-related tasks; and Susan, who interfaces most often with prospective clients, as well as maintaining and overseeing most of the financials—although all three work quite interactively together on many of the tasks that come to Jon's desk. It was fun to be thrown into the mix as a fourth, tagging along and offering my perspective when it was useful.


Fairfield Business Park from the parking lot

Hallway leading to Jon's office

A model of a proposed tower Maharishi
wanted built around the world

Jon's old drafting table being
used as a computer desk :)

Jon's many degrees and accomplishments

A picture with Jon and Eike Hartmann, Minister of
Architecture for Maharishi's Global Country of World Peace


Susan's domain next door; also where Jon meets
with prospective clients to go over drawings and such
A Pattern Langauge, by Christopher Alexander in its own special place.
Quite a funny anecdote: A friend of mine suggested that I borrow this
exact book and ask Jon about whether he had heard of Alexander;
Jon's reaction to my innocent question was priceless :D

Friday, July 3, 2015

Off and running, and a crash-course in structural engineering

My internship with Jonathan Lipman, AIA has officially begun. My journey toward becoming an architect is now underway.

Today, Jon and I met at the building site of his future home. It is quite a treat that the builders are in the process of erecting it because I was able to accompany him through the construction site as he outlined much of what makes up the foundations of how one designs and builds a structure. This great primer for structural engineering was a glimpse into the standards, accepted procedures, and best practices one should mind when endeavoring to design a building.

We began on the ground level floor, which at the time was only plywood. Jon began with some of the basics of building a home in America, such as how pretty much every structure uses wood as its frame these days. We talked back and forth as he gave some contextual information and introduced me to his builders who were busy working, then pointed out some of the details that made the construction of his house a bit unique. He was using double-studded walls, which at first I thought this were somehow for more reinforcement, but it turned out that this allows for much more insulation than a typical single-studded one. Much of what followed were little details about how Vāstu in particular favored natural building materials and thick, well-insulated walls, such as minimizing the amount of wood in the frame to allow for more insulation.

We covered many more structural aspects of the house quite rapidly; it being the first day, I was soaking in a lot on the broader level as opposed to a lot of details. I think (or at least I hope) both Jon and I understood that a lot of these details were contributing to a larger wholeness of just how many particulars there are in building a home. If I took away one lasting impression from the morning, it was that the whole truly is larger than the sum of its parts.


View of east side of structure

Pillars supporting the eastern side of the main floor

Entrance to the basement

Wooden roof trusses supported with metal braces

Clerestory windows on the south side of the monitor

Double-studded walls for added insulation

Stairway down to basement